The diagram is a historical instrument.
It was designed to quantify bodies, to render human life legible as cargo.

Here, the structure remains unchanged.
What fills it is no longer a body, but a sign.

The repeated emblem does not stand in for those who were confined.
It marks a system that has learned to circulate value without visibility.

What is shown is not equivalence, but substitution.
Extraction persists, while its sites and agents recede.

The image does not accuse.
It records continuity.